a structure through and upon which the many artists, art historians, architects, writers, philosophers, and others who are tethering their practices to issues which are also of interest to neuroscientists can publish their work. Issues like attention, object recognition, memory, mental imagery (imagination) and consciousness are as likely to be topics at an art history conference as they are to be topics at a conference concerning neuroscience.FOUND VIA: Hugo Solo, one of the frequent contributors to The Mirror Project